But for many applications, the one-size-fits-all approach should streamline workflow considerably between editorial and graphics. If you need that fine level of control, you'll need to hop back into AE, at least for now. However, there are no advanced text tools like font, size, or kerning. The text updates immediately in Premiere, so you can check for overflow or other formatting issues and scrub through any animation to make sure everything still looks good. The Effect Controls panel will display a series of text fields for each editable element. The editor gets at the text fields by opening a dynamically-linked AE composition from the Projects Panel in Premiere's Source Monitor. The new Live Text templates, which give Premiere Pro editors a simple interface for editing After Effects text layers, are designed to allow easy access to certain text fields (like a caption denoting the name of the person currently appearing on screen) while locking down others (more general information about events and locations that isn't likely to change during a single program). But it has a nice array of new features that address efficiency in workflow, allowing editors to get more done in Premiere without going through redundant motions to apply and re-apply a given effect, or ducking out of Premiere entirely to fire up After Effects just to make small changes to type. The 2014 update to Premiere Pro CC is not as comprehensive an overhaul as the one that greeted users of the CS6 version, with its welcome streamlining of the once-cluttered interface along with slick enhancements like improved trimming and hover scrubbing.

Live Text Templates, Effects Masking and Tracking, DCP Export, and More

Keylight 1.2 premiere pro